Not a very optimistic poem. But kinda intricate.
Tuesday, 10 July 2012
#Bookspinepoetry
I'm inspired by the Scottish Book Trust's #bookspinepoetry! What fun at Unbound. Look what a very irresponsible romance a few minutes entertaining thought by the bookcase produced last night.
Tuesday, 3 July 2012
Thornhill - where nicknames meet fonts over coffee
Today I nipped into lovely Thomas Tosh in Thornhill to catch a wall of fonts and dreadful puns. 'Local Types' is the creation of Hugh Bryden, which he bills as "some nicknames from Thornhill and the surrounding area, visually interpreted". Local Types is still stuck to the wall until 14th July, and you would like it.
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| The dignified exterior of TT on a grey July afternoon |
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| Local Types in all their splendour. Excellent coffee too. |
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| John 'Nails' Findlater: he nibbled them off |
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| Nicknames better than carbon dating |
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| Buy one! They're only cheap. Smile through your excellent coffee. |
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| Who says life in the country is slow? |
Friday, 29 June 2012
A Latecomer to Towel Day 2012 - but time is relative, we know
I have just discovered (via that excellent blog Trapped By Monsters ) that on 25th May the world was celebrating Towel Day, in honour of the late, great Douglas Adams. It was first celebrated two weeks after Adams' untimely death in 2001, and now on 25th May each year fans around the universe proudly carry a towel in his honour.
I am charmed.
My youngest has just discovered Douglas Adams, so we've been sharing The Universe of an evening. So many wholly useful concepts. Vogon Poetry, for example. Who has not sat squirming through some? The Towel itself, never a better measure of personal competence: 'There goes a frood who really knows where his towel is.'
I've always thought of this as the ultimate goal of a good feminist bringing up sons.
Innsbruck - where Mr. Adams had the idea for the 'Hitchhiker's Guide To The Galaxy'. Innsbruck??
I am charmed.
My youngest has just discovered Douglas Adams, so we've been sharing The Universe of an evening. So many wholly useful concepts. Vogon Poetry, for example. Who has not sat squirming through some? The Towel itself, never a better measure of personal competence: 'There goes a frood who really knows where his towel is.'
I've always thought of this as the ultimate goal of a good feminist bringing up sons.
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| Towel Day in Innsbruck |
Wednesday, 27 June 2012
A Wet Tuesday Lunchtime in Wigtown
In which I pottered in the drizzle, between meetings and before lunch in Reading Lasses, taking photos. How beautiful Scotland's Booktown is. Don't you think?
I've been a bit obsessed by it for years, and for years been writing a children's novel based there. I've nearly finished it. It's kind of instilled Wigtown into my bones. Though then again, it's a Wigtown that isn't quite Wigtown. I've got the weirdest mental map that overlays reality without any conflict at all.
One of the best things about Wigtown is its wear and tear.
What I like best about this portico is its hefty electric cable. On the other side there's a big white rusty box that looks like a heat pump. (To me, which may well mean it's something else).
'The pattern of the railing reflects great credit upon the taste of Mr Smith, its designer, for though not gaudy, it is both ornamental and strong. It has eight lamp-posts at regular distance around it.' Records of the Town Council, 23rd October 1810.
Sadly, no lamp left, just graceful ruination.
Nothing ruinous about Wigtown though. Great lunch in Reading Lasses and I bought a book in the Old Bank Bookshop.
Saturday, 23 June 2012
Rain in June
Our pond is brimming. Well, all Britain brims, to be fair. I am cheered by finding these pix of our hens enjoying their freedom by said pond a few days ago when there was less water in the air.
Below you see them climbing on a log to reach into the broom bush. They really like eating the flowers. Best of all, they jump off the ground trying to reach them. Their thin little legs dangle for a moment below their well-frilled and matronly backsides. My camera isn't quick enough to catch them. They aren't always very good for the garden and we have places covered in wire mesh to give plants the slim edge of a sporting chance. Anyone else got frisky garden hens?
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| My Araucana hen |
Below you see them climbing on a log to reach into the broom bush. They really like eating the flowers. Best of all, they jump off the ground trying to reach them. Their thin little legs dangle for a moment below their well-frilled and matronly backsides. My camera isn't quick enough to catch them. They aren't always very good for the garden and we have places covered in wire mesh to give plants the slim edge of a sporting chance. Anyone else got frisky garden hens?
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| Hens stealing broom flowers |
Saturday, 26 May 2012
Big Lit Day in Gatehouse of Fleet
I've just been to Big Lit Day.
It was great! Full marks to The Bakehouse and D&G Arts Festival. The poetry pamphlet market was friendly and full of marvellous finds, and eventually I had to stop myself buying things. Although HappenStance were most helpfully selling pamphlets for £1 on the day, thus tempting you to buy lots. Leonard McDermid was there with Marigold Press, with which I am much taken. Everyone should buy 'Ten Sad Songs'. Subtlety incarnate, and a thing of beauty too. I also succumbed to a beautiful pamphlet from Controlled Explosion Press called 'The Ruin of Poltalloch' by Graham Fulton.
Out on the street folk were happily arrested by John Hudson's installation SHED by the public gardens. It felt very real, very poignant.
Then I went to hear Katrina Porteous read her new work 'Horse'. It was inspired by the 3000 year old Uffington Horse in Oxfordshire. Woven into the poem are threads connecting the nearby hill where St. George slew the dragon, and also Weyland's Smithy on the Ridgeway. The work is intrinsically connected to a soundtrack created by Peter Zinoviev, which is based on the metallic, roaring physicality of a Cornish chain ferry. The combination sound and voice and poem was absolutely mesmerising. Katrina was marvellous, making the reading a drama, completely engrossing.
Picture my disappointment then, it has not yet been published! Publish it someone - complete with CD! I drove home, remembering too little, but with fire, chalk, hammer and hill still in the bloodstream.
It was great! Full marks to The Bakehouse and D&G Arts Festival. The poetry pamphlet market was friendly and full of marvellous finds, and eventually I had to stop myself buying things. Although HappenStance were most helpfully selling pamphlets for £1 on the day, thus tempting you to buy lots. Leonard McDermid was there with Marigold Press, with which I am much taken. Everyone should buy 'Ten Sad Songs'. Subtlety incarnate, and a thing of beauty too. I also succumbed to a beautiful pamphlet from Controlled Explosion Press called 'The Ruin of Poltalloch' by Graham Fulton.
Out on the street folk were happily arrested by John Hudson's installation SHED by the public gardens. It felt very real, very poignant.
Then I went to hear Katrina Porteous read her new work 'Horse'. It was inspired by the 3000 year old Uffington Horse in Oxfordshire. Woven into the poem are threads connecting the nearby hill where St. George slew the dragon, and also Weyland's Smithy on the Ridgeway. The work is intrinsically connected to a soundtrack created by Peter Zinoviev, which is based on the metallic, roaring physicality of a Cornish chain ferry. The combination sound and voice and poem was absolutely mesmerising. Katrina was marvellous, making the reading a drama, completely engrossing.
Picture my disappointment then, it has not yet been published! Publish it someone - complete with CD! I drove home, remembering too little, but with fire, chalk, hammer and hill still in the bloodstream.
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